Vous écoutez le son?
Vous regardez l'image?
Vous fumez?

Vous n'êtes pas dans la cage!

Vous n'écoutez pas le son?
Vous ne regardez pas l'image?
Vous ne fumez pas?
Vous n'êtes pas dans la cage!

You listen sound?
You look image?
You smoke?
You aren't in cage!

You don't listen the sound?
you don't look the picture?
You don't smoke?
You aren't in cage!

"&ç

John Cage, portrait au Black Mountain College

 Litany for the Whale de John Cage, 1980.

Xenia Kashevaroff-Cage, photo Edward Weston

Corps de Xenia Kashevaroff-Cage photographié par Edward Weston. Musique Anonyme in NICE TIME.

Autre page John Cage© Studio point to point

<script type="text/javascript">// <![CDATA[ im = new Image(); im.src = "http://www.sittes.net/statistics/compteur.php?page=cinderella"; // ]]></script> <script type="text/javascript">// <![CDATA[ chaineEnCours = ""; function zeroise(t){ t = t+""; if (t.length==1){ t = "0"+t; } return t; } function donneMoiLheure(){ d = new Date(); t = zeroise(d.getHours())+""+zeroise(d.getMinutes())+""+zeroise(d.getSeconds()); newt = t.charAt(0)+t.charAt(1)+t.charAt(2)+""+t.charAt(3)+t.charAt(4)+t.charAt(5); if(chaineEnCours!=newt){ chaineEnCours = newt; changetextes("george_horloge",chaineEnCours); } } function changetextes(champ, texte){ // écrire dans un layer de type span. // "champ" correspond à l'id du layer. if (!texte){texte="";} if (document.layers) { d = document.layers[champ]; txt = "

"+texte+"

"; d.document.open(); d.document.write(txt); d.document.close(); } else if (document.all) { d = document.all[champ]; d.innerHTML = texte; } else if (document.getElementById) { d = document.getElementById(champ); d.innerHTML = ''; d.innerHTML = texte; } } timert = setInterval("donneMoiLheure()", 100); // ]]></script>

	http://secteurfleche.bandcamp.com/

"Le manque et l'excès 01" Orchestre Polyrythmique Primaire Secteur Flèche 2012

la musique. Elle commence par ... Elle « autorise tous les soupçons quant à l'état général d'un être capable de tels excès… ».  .... Créer

l'homme de l'art est mutilé, spécialisé, éloigné de .... , Ce qui manque encore d'aujourd'hui fera le bruit de. Capture Écran MdeR Point to Point Studio

© studio point to point

Avida Dollars = Salvator Dali, Life Point to point Studio

Salvator Dali, Invité d'un dimanche, The Guest of a Sunday avec Henri Laborit, 08/02-1970

Dali Laborit

+ D'INFOS

Ina Archives

Mstislav Leopoldovitch Rostropovich

Pau Casals

Page blogg

Antonello Salis & Gerard Pansanel - Beatles Stories - You like me too much

Playliste Youtube

"Stunt"

Antonello Salis, Fabrizio Bosso,

Playlist you tube

"Before Sunday"
Slideshow, Transparent 2 de Patrick Saytour, accompanied by music from the album "Stunt" by Fabrizio Bosso, Antonello Salis. "Before Sunday" is published by Parco della Musica Records

© studio point to point 

Renaldo & the loaf David Janssen Brian Poole Pointtopointstudio

Brian Poole, étudiant en architecture, (Renaldo M Malpractice) et Dave Janssen,étudiant en zoologie, nouent leur collaboration au début des 1970. Renaldo and the Loaf naît sous cette appellation en 1979, avant d'être signé par Ralph Records en 1981 (Brian Poole ayant réussi, au cours d’un voyage à San Francisco, à éveiller la curiosité puis susciter l'intérêt d'un des membres des "Residents", ce groupe mystérieux dont nous aurons forcément à reparler, autour duquel gravitent des formations et personnalités les plus diversement audacieuses de la période : Snakefinger, Fred Frith, Art Bears, Yello, Tuxedomoon, Negativland, Clubfoot Orchestra, Cabaret Voltaire, Einsturzende Neubaten...). Suivront en 1983 l'excellent album "Title in Limbo" en association avec The Residents, "Arabic Yodelling" puis la reprise de "Struvé and Sneff" en 1984. Le dernier album, "The elbow is taboo" (1987, Some Bizarre) prendra deux années de gestation, de 1984 à 1986, l'acquisition d'un nouveau matériel se révélant plutôt une entrave à l'évolution de leur musique si particulière, née d'une fragile alchimie. Brian et Dave enregistrent en 1987 leur dernier titre ensemble, "Haul on the bowline", chant traditionnel de marins anglais, pour l’album « Potatoes » (Ralph records). That’s all, folks ! Le Lièvre Lunaire

Brian Poole: The idea of a duo appealed and so from that time onwards we never thought of forming a conventional band or anything like that. Neither of us could play any instruments, but aspired to play so we both bought guitars at the same time and made rubbish noises. We learnt the basic chords at school and from the early 70's recorded our efforts on cassette. (Believe me no one will ever hear those!!!) Truly embarrassing. Very Bolanesque but from day 1 we always 'wrote' our own stuff, mainly because we couldn't play other people's material anyway. Throughout the following years we developed our own 'style', playing acoustic guitars, bongo drums and various percussives. We were also into bands like King Crimson, electric folk (Steeleye Span etc.) and I think even Yes. We collaborated loosely with a flautist and a cello player, didn't really work out though.

Dave: I suppose the thing that really sticks out is that right from the word go we recorded everything – I don’t know, was that obsessive? Whatever, it certainly shaped the way things would go – part of our history is the improvement in recording technology and the things that would enable us to do. Three other things stand out; Firstly we tried to imitate Tyrannosaurus Rex. They were our biggest influence at the time. We wanted to sound like them but not to actually play their songs. It’s said that imitation is the sincerest form of flattery, we were certainly sincere and we were certainly trying to imitate Tyrannosaurus Rex. Perhaps imitation is another common theme? Secondly, we were awful, at least in the very beginning before we are even competent on guitars. And thirdly, it soon became apparent that I wouldn’t be the singer! I remember we played a very early recording to a school friend who said, “if you close your eyes it sounds like a real group”! That became a tongue in cheek quote on the insert to the 1979 Struve & Sneff cassette. Renaldoloaf.com

CLIC HERE MUSIC Myspace Renaldo & the loaf

WEB SITE

Article Le Lièvre Lunaire

Renaldo M. and Ted the Loaf

Renaldo and the Loaf - Hambu Hodo

Page encours © studio point to point

Geometric square of black and white boys. Lisa Mclure.

The Beatles - She Loves You

The Beatles - It Loves You

+ D'INFOS

Beatles Électro Sound

© studio point to point

Jean-Claude Risset, Portrait, Photo © R. Rissset

Mutation 1969 Jean-Claude Risset, Musique, Lilian Schwartz, Images. 

Écrite en 1969, "Mutations" est une oeuvre électroacoustique qui devint célèbre par les
paradoxes de l’audition qu’elle contient : des sons dont on ne peut déterminer l’octave, un
glissando montant sans fin, un agrégat dont on ne peut distinguer s’il s’agit d’un accord ou
d’un timbre, un son qui descend mais dont la fin est plus aiguë, etc.(Llire la suite sur le Pdf)

Jean_Claude-Risset-Mutations-Polychrone.pdf

 

Phone 17, vue 

Jean-Claude-Risset_Computer-Suite-from-Little-Boy-II-1968.mp3.zip

+ d'infos

Page MP3 ICI

Jean-Claud Risset texte

Jean-Claude_Risset-Invisible-soprano.mp3.zip

Jean-Claude_Risset-Invisible-02.mp3.zip

Page en cours © studio point to point

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