L'OEIL SUR LA FIAC / LA FIAC À L'OEIL.

22.10.2009

New Galerie de France <script src="http://file.blog-24.com/static/client-js/common.js" type="text/javascript"></script> <script src="http://file.blog-24.com/static/client-js/qtobject.js" type="text/javascript"></script>

BANDE-ANNONCE

September 5 - October 17, 2009

Kristin Baker
Michael Bell-Smith
Justin Lieberman
Nate Lowman
Bertrand Planes
Ryan Trecartin
Ryan Trecartin et Lizzie Fitch

Kristin Baker, born in 1975, lives and works in New York City, USA.
Kristin Baker came to the fore with her large sized works on plexiglass and PVC. For “Bande Annonce,” Kristin Baker shows two new large-size paintings. In Camelot Bluff a collage appears for the first time: the image of a cliff, the controversial place of the possible and mythical Camelot. As for Overleaf, it testifies of the evolution of Kristin Baker’s work. The Sellotape edges are less present, profoundness is handed back to à-plat by working over it again using the knife to create multiple gradations.

Michael Bell-Smith, born in 1978, lives and works in New York, USA.
Contrary to painting, Michael Bell-Smith’s medium is fully apart an environment where 90% of the realisations do not belong to art. Common Expression strikes an evident breakthrough, formally. Patches of paint, parallelepipeds in rotation, superimpositions seem to be drawing a first sight remake of Pollock and Sol LeWitt gone through the Photoshop-machinery.

Justin Lieberman, born in 1977, lives and works in Chatham, USA.
American Serial Killer Memorabilia Cabinet with Manson Vest Placeholder is a collection of objects purchased from auction websites that sell only items made by or formerly belonging to serial killers. Each item in the collection has been coated in a thick glaze of transparent acrylic resin. Paired with the cabinet is a recreation of a ceremonial vest owned by Charles Manson : a "placeholder" in reference to the practice by collectors and museums of creating a replica to fill a gap in an otherwise complete collection.

Nate Lowman, born in 1979, lives and works in New York City, USA.
Since his first painting of O.J. Simpson’s signature in where, inside the O letter of this signature, the sport star suspected of two murders traced the two dots and the curve, turning it into a “Smiley”, the “Smiley” figure plays an important part in Nate Lowman’s work. Nate Lowman’s work functions as an accelerated pop recuperation. As Richard Prince, it takes over the consumer society’s aesthetics in its whole, of its heroes to its most tiny manifestations.

Bertrand Planes, born in 1975, lives and works in Paris.
The video Are you sure you want to quit? is a particular medium: a machinima. A machinima consists in using an existing 3D graphic engine, particularly the one of a game, to produce and record a video in real time, using the game as a “real” scene that one would film _The takeover of the means of expression which for most of us are but just an environment.

Ryan Trecartin, born in 1981, lives and works in Philadelphia, USA.
Ryan Trecartin describes (Tommy-Chat Just E-mailed Me) as “a narrative video short that takes place inside and outside of an e-mail.” For the last five years, Ryan Trecartin has been developing a corpus of videos that embrace common themes and protagonists. They put into action a variable society of artists-actors-designers-props people…

Lizzie Fitch, born in 1981, lives and works in Philadelphia, USA.
Ryan Trecartin, born in 1981, lives and works in Philadelphia, USA. The pair Ryan Trecartin and Lizzie Fitch produces sculptures. Fitch is deeply involved in the production of Trecartin’s videos, working with him, in capacities varying project-by-project, in the areas of performance, wardrobe, art direction, set construction and production organization. Now, in the Sunroom an After Now 4 owns within that context a special identity. The scene is something between the archaeological site and the abandoned scenery of a “peplum.” Or even a possible scene following the end of Pierrot le Fou, where the main character, in search of his own identity as well, blows himself up after having painted his face in blue.

Sutton Lane, Paris
6 rue de Braque
75003 Paris

Marian Goodman Gallery

John Baldessari
October 17 - November 28, 2009

79 rue du Temple 72003 Paris.

210 EXPOSANTS

^{ADIAF, Paris}
^{GALERIE 1900-2000, Paris}
^{A ARTE STUDIO INVERNIZZI, Milan}
^{ACB, Budapest}
^{MARTINE ABOUCAYA, Paris}
^{ACDC, Bordeaux}
^{ACQUAVELLA GALLERIES, New York}
^{AIDAN GALLERY, Moscou}
^{AIR DE PARIS, Paris}
^{AKINCI, Amsterdam}
^{ALICEDAY, Bruxelles}
^{GALERIE ANHAVA, Helsinki}
^{APPLICAT-PRAZAN, Paris}
^{ART: CONCEPT, Paris}
^{ALFONSO ARTIACO, Napoli}
^{ART ATTITUDE HERVÉ BIZE, Nancy}
^{BALICE-HERTLING, Paris}
^{BARONIAN-FRANCEY, Bruxelles}
^{ANNE BARRAULT, Paris}
^{GALERIE GUY BÄRTSCHI, Genève}
^{CATHERINE BASTIDE, Bruxelles - Saint-Gilles}
^{GUIDO W. BAUDACH, Berlin}
^{BEAUMONTPUBLIC, Paris, Luxembourg}
^{CLAUDE BERNARD, Paris}
^{GALERIE BEYELER, Basel}
^{BISCHOFF/WEISS, London}
^{MARIANNE BOESKY, New-York}
^{BORTOLAMI, New-York}
^{ISABELLA BORTOLOZZI, Berlin}
^{BROADWAY 1602, New York}
^{JEAN BROLLY, Paris}
^{BUCHMANN GALERIE, Agra/Lugano, Berlin}
^{GALERIE DANIEL BUCHHOLZ, Köln, Berlin}
^{BUGADA and CARGNEL (COSMIC GALERIE) , Paris}
^{CABINET INTERIEUR, London , Bruxelles}
^{CARDENAS BELLANGER (CARLOS CARDENAS), Paris}
^{GALERIE LOUIS CARRÉ ET CIE, Paris}
^{CASTILLO/CORRALES, Paris}
^{MARTINE ET THIBAULT DE LA CHÂTRE, Paris}
^{CHELOUCHE GALLERY, Tel Aviv}
^{CHEMOULD PRESCOTT ROAD, Mumbai}
^{CHEZ VALENTIN, Paris}
^{CNAP, La Défense}
^{CONTINUA, San Gimignano, Beijing, Boissy-le-Châtel}
^{PAULA COOPER, New-York}
^{PILAR CORRIAS, London}
^{RAFFAELLA CORTESE, Milan}
^{CORTEX ATHLETICO, Bordeaux}
^{LUCILE CORTY, Paris}
^{RICCARDO CRESPI, Milano}
^{CHANTAL CROUSEL, Paris}
^{DMK, Paris, Copenhague}
^{MONICA DE CARDENAS, Milan, Zuoz}
^{DE EXPEDITIE, Amsterdam}
^{DENISE RENÉ, Paris}
^{GUILLERMO DE OSMA, Madrid}
^{DEPENDANCE, Bruxelles}
^{DISTRITO 4, Madrid}
^{GALERIE DITESHEIM, Neuchatel}
^{DOWN TOWN, Paris}
^{ERIC DUPONT, Paris}
^{DVIR GALLERY, Tel Aviv}
^{FRANK ELBAZ, Paris}
^{ELLEN DE BRUIJNE PROJECTS, Amsterdam}
^{DOMINIQUE FIAT, Paris}
^{FIGGE VON ROSEN, Cologne}
^{THE FILM GALLERY , Paris}
^{LIBRAIRIE FLAMMARION CENTRE}
^{Ville de Paris - Art Contemporain, Ivry-sur-Seine}
^{ENRICO FORNELLO, Milano}
^{JEAN FOURNIER, Paris}
^{GABINETE DE ARTE RAQUEL ARNAUD, Sao Paulo}
^{GAGOSIAN GALLERIES, New York, Los Angeles, London, Athens, Beverly Hills, CA, New York, NY}
^{GDM, Paris}
^{GAUDEL DE STAMPA, Paris}
^{gb Agency, Paris}
^{ANNIE GENTILS, Antwerpen}
^{FREDERIC GIROUX, Paris}
^{LAURENT GODIN, Paris}
^{MARIAN GOODMAN, Paris, New-York}
^{GALERIE KARSTEN GREVE, Paris, Cologne, St Moritz}
^{M&J GUELMAN GALLERY, Moscou}
^{ALAIN GUTHARC, Paris}
^{HAAS & FISCHER, Zurich}
^{ERNA HECEY, Bruxelles}
^{HENZE et KETTERER, Wichtach / Bern, Riehen / Basel}
^{HERALD STREET, Londres}
^{EVA HOBER, Paris}
^{HOTEL, London}
^{XAVIER HUFKENS, Bruxelles}
^{GALERIE HUSSENOT, Paris}
^{INDA GALLERY, Budapest}
^{GRITA INSAM, Vienne}
^{IN SITU FABIENNE LECLERC, Paris}
^{CATHERINE ISSERT, Saint-Paul}
^{RODOLPHE JANSSEN, Bruxelles}
^{JEANNE-BUCHER / JAEGER BUCHER, Paris}
^{JOUSSE ENTREPRISE (art contemporain), Paris}
^{JOUSSE ENTREPRISE (design), Paris}
^{ANNELY JUDA FINE ART, Londres}
^{IRIS KADEL, Karlsruhe}
^{KARMA INTERNATIONAL, Zurich}
^{KEWENIG GALERIE, Palma de Mallorca, Cologne}
^{NICOLE KLAGSBRUN, New-York}
^{KLOSTERFELDE, Berlin}
^{JOHANN KOENIG, Berlin}
^{GALERIE KREO, Paris}
^{GALERIE KRINZINGER, Vienne}
^{GALERIE KRUGIER & CIE, Geneva, New York}
^{LA B.A.N.K., Paris}
^{LA BLANCHISSERIE, Boulogne}
^{YVON LAMBERT, New York, Paris}
^{COLLECTION LAMBERT, Avignon}
^{SERGE LE BORGNE, Paris}
^{SIMON LEE GALLERY, Londres}
^{GALERIE LELONG, New York, Zürich, Paris}
^{L+M ARTS, New York, NY}
^{GALERIE LOEVENBRUCK, Paris}
^{FLORENCE LOEWY, Paris}
^{LOMBARD-FREID PROJECTS, New-York}
^{LINN LÜHN, Cologne}
^{LUHRING AUGUSTINE , New-York}
^{LUMEN TRAVO, Amsterdam}
^{MAGAZZINO D'ARTE MODERNA, Rome}
^{MALINGUE, Paris}
^{GABRIELLE MAUBRIE, Paris}
^{HANS MAYER, Düsseldorf}
^{GRETA MEERT, Bruxelles}
^{KAMEL MENNOUR, Paris}
^{DI MEO, Paris}
^{FRANCESCA MININI, Milan}
^{MINOTAURE GALERIE, Paris, Tel Aviv}
^{MONITOR , Rome}
^{MITCHELL-INNES and NASH, New York}
^{MOTIVE GALLERY, Amsterdam}
^{JAN MOT, Brussels}
^{NÄCHST ST. STEPHAN ROSEMARIE SCHWARZWÄLDER, Vienne}
^{NELSON-FREEMAN, Paris}
^{NEW GALERIE DE FRANCE, Paris}
^{NOGUERAS BLANCHARD, Barcelone}
^{GALERIE JEROME DE NOIRMONT, Paris}
^{NOSBAUM and REDING, Luxembourg}
^{NATHALIE OBADIA, Paris, Bruxelles}
^{ORIOL, Barcelone}
^{PACEWILDENSTEIN, New York}
^{CLAUDINE PAPILLON, Paris}
^{PARAGON , London}
^{GALERIE PATRICK SEGUIN, Paris}
^{FRANCOISE PAVIOT, Paris}
^{EMMANUEL PERROTIN, Paris, Miami}
^{PERUGI ARTECONTEMPORANEA, Padova}
^{ERIC PHILIPPE, Paris}
^{PIANISSIMO, Milan}
^{PIETRO SPARTA, Chagny}
^{LE CENTRE POMPIDOU - METZ , Metz}
^{PRAZ - DELAVALLADE, Berlin, Paris}
^{PROJECTESD, Barcelone}
^{ALMINE RECH, Paris, Bruxelles}
^{MICHEL REIN, Paris}
^{RICHARD GRAY GALLERY, New York, Chicago}
^{THADDAEUS ROPAC, Salzburg, Paris}
^{PERRY RUBENSTEIN, New-York}
^{GALERIE THIERRY SALVADOR, Paris, Bruxelles}
^{SCHLEICHER+LANGE, Paris}
^{THOMAS SCHULTE, Berlin}
^{SEMIOSE , Paris}
^{NATALIE SEROUSSI, Paris}
^{SFEIR-SEMLER, Hambourg, Beyrouth}
^{SHANGHART, Shanghai, Beijing}
^{SUZY SHAMMAH, Milan}
^{SIES + HÖKE, Düsseldorf}
^{SKARSTEDT GALLERY, New York}
^{FILOMENA SOARES, Lisbon}
^{SOMMER CONTEMPORARY ART, Tel Aviv}
^{SORRY WE'RE CLOSED, Bruxelles}
^{SPRUTH MAGERS, Berlin, London}
^{CHRISTIAN STEIN, Milan}
^{DIANA STIGTER, Amsterdam}
^{JIRI SVESTKA, Prague}
^{SUZANNE TARASIEVE, Paris}
^{DANIEL TEMPLON, Paris}
^{THE APPROACH, London}
^{THOMAS AMMANN FINE ART AG, Zürich}
^{GALERIE THOMAS, München}
^{GALERIE BARBARA THUMM, Berlin}
^{TONINELLI ART MODERNE , Monaco}
^{TORNABUONI ARTE, Florence, Milan, Venise, Portofino - Genova, Forte dei Marmi, Florence - Antichità, Paris}
^{TRIPLE V, Dijon}
^{SASSA TRÜLZSCH, Berlin}
^{TUCCI RUSSO, Torre Pellice}
^{GEORGES-PHILIPPE ET NATHALIE VALLOIS, Paris}
^{VAN HORN, Düsseldorf}
^{VAN DE WEGHE FINE ART, New York}
^{MARTIN VAN ZOMEREN, Amsterdam}
^{GALERIE VEDOVI, Bruxelles, Paris}
^{ALINE VIDAL, Paris}
^{VIDEOSPACE, Budapest}
^{ANNE DE VILLEPOIX, Paris}
^{NADJA VILENNE, Liege}
^{VILMA GOLD, London}
^{VILTIN, Budapest}
^{NICOLA VON SENGER, Zurich}
^{WENTRUP, Berlin}
^{MICHAEL WIESEHOEFER, Cologne}
^{JOCELYN WOLFF, Paris}
^{XIPPAS, Paris, Pacy-Sur-Eure, Athènes}
^{XL GALLERY, Moscou}
^{THOMAS ZANDER, Cologne}
^{ZLOTOWSKI, Paris}
^{GALERIE ZURCHER, Paris, New-York}

Osmose avec la fête de Toussaint pour la Capitale.

L'International d'Art Contemporain de Paris présente le moderne en foire, le Musée d'Art moderne de la Ville de Paris expose d'ultimes limites, le Centre Pompidou reconnaît le noir soulagé, la Bérézina au Palais de Tokyo. Là, merci, y'a plus qu'à nous y déposer le XX° au Père la Chaise pour y abandonner génarium et pot.